“Coorevits focused her camera on a rock formation in Death Valley. During the projection, the recorded image appears only because the sun moves throughout the day. The sunlight colours the panorama in a near painterly way - Coorevits did not change the position or settings of the camera. It leads to an intriguing result: “cumbrous mountains, seemingly immobile, but in which changes occur with impressive slowness”. Coorevits empirically infiltrates, the visitor infiltrates, into the image, into the multi-layered landscape.” (Eline Verstegen)